Deep within the Wignacourt there is a room built with the purpose of holding a treasure. And, hundreds of years later, it still retains its original features.
The Wignacourt Museum in Rabat is a maze of rooms and vaults that have been used for various things over the centuries, including as a place of residence for the Order of the Chaplains, as well as a school. But one particular room is still the same now as it was when it was first built. This is the Treasurer’s Room, located next to the chapel that now houses the reliquary collection.
When the collegiate was turned into a school after World War II, many of the rooms were renovated to accommodate students, but both the Treasurer’s Room and the Chapel of Reliquaries were left untouched. Coincidentally, both of these rooms are rather similar in structure, but the Treasurer’s Room, due to the function it was built for, is slightly different.
Just like the Chapel of Reliquaries, this room opens up to the study area and is divided into three sections, but the arched entrance that leads to the bed in the Treasurer’s Room is much narrower than that in the Reliquary Chapel. This was done with the intent of both warding off thieves as well as forcing them to pass over the bed if they wanted to get to the valuables.
The original wooden treasure chest, which used to encase both silverware and money, is still stored in its original location – on a loft above the bed, set in an alcove. The room also boasts an early example of an en-suite, with an adjoining washroom that allowed the treasurer to keep an eye on the treasure chest at all times.
True to its original purpose, this is the only room at the Wignacourt Museum that has been set up as a bedroom. It also boasts a beautifully-restored 18th century headboard hanging, right where the treasurer’s bed would have been placed hundreds of years ago. This elaborate bedstead, crafted out of wood, holds an image of the Immaculate Conception painted in oils and is surmounted by a crown and enhanced by festoons, scrolls and other decorative details. This image of Immaculate Conception, depicted as standing over a crescent moon crushing a snake, was a common image to have in bedrooms during the period.
Today, the room also plays host to part of the Wignacourt Museum’s collection, with the most important item being the copper bath in the en-suite. This bath is one of the oldest of its kind in Malta, dating back to the 18th century, and it is a faithful representation of the bath the treasurer of the Chaplaincy would have used. On top of that, there are also a number of ex-voto paintings from the filial churches of St Cathaldus and Ta’ Duna, which are both located in Rabat.
For more information on the Wignacourt Museum and its artefacts you can contact us on +356 2749 4905 or at firstname.lastname@example.org.